I longed to see a world beyond this one, so I searched for the door that would take me there. Until I open the door, I have no idea what awaits me on the other side. For now I simply dream about the unknown.
I just got back from Kodo's One Earth Tour, it was, in a word, AWESOME! I've been a fan of Kodo ever since I picked up a couple of their CDs a few years ago after Mystère piqued my interest in Taiko drumming.
Having only heard the music on CD I was surprised at how visual the show was, it really is a blend of both music and dance and I loved watching the troupe's precise movements when playing synchronously. I was amazed at the sheer physicality of the performance, the drummers' stances and the movements that they use to play exude grace and power. The performance ran the gamut between intricate, densely layered pieces involving dozens of drums to simple but masterful solos.
In between the major pieces when they were setting up the drums they had little interludes, during one they were playing these Japanese chimes and bells and it sounded exactly like the Mystère opening. I was sitting there waiting to hear the crying babies! Three of the drummers also do these little subtle comedic interludes while performing percussion and choreography, they reminded me a lot of the Blue Man Group or Les Cons from La Nouba the audience loved them and it really served to show that the group doesn't take itself too seriously. At the beginning of the first encore these guys even lead the audience in a call and response banging out rhythm patterns that the audience would clap back (Stomp does this for audience-participation at the end of their show as well).
My favourite piece was O-Daiko. It's a huge two-sided drum (pictured above) and the drummer on one side beats out a basic rhythm and the soloist on the other side freely improvises. It was amazing the soloist was giving it hard for about ten minutes non-stop. It was intense.
I'm glad they chose to perform in the Opera House because the acoustics were awesome, these drums are huge and when they play the bigger ones you can feel the sound resonate in your chest cavity. It also meant that the quieter drum pieces and the vocal solos could be performed un-amplified. There was one song performed by an amazing female vocalist who would modulate and trill the notes brilliantly, she was accompanied by wood flute and Chinese violin it sounded gorgeous.
Anyway, I highly recommend catching the show if you're a fan of music, dance or performance art, it's a thrilling night of theatre.
Monday, March 19, 2007
Friday, March 2, 2007
Leaving Traces . . .
I had the chance to catch Traces, the sophomore show by 7 doigts de la main a couple times this week.
The show is performed by five fresh, young graduates of École nationale de cirque; Héloïse Bourgeois, Brad Henderson, Will Underwood and brothers Francisco and Raphaël Cruz. These artists seem to have a limitless supply of energy; the performances are explosive, fast-paced and action-packed. The 90-minute show seems to zoom by in an instant.
Traces has a darker tone and a faster pace than Loft did. Whereas Loft had more existential overtones Traces is more Fatalistic. The theme is some sort of impending catastrophe and the set is a kind of make-shift fall-out shelter that the artists have constructed. There's a countdown/ticking clock motif throughout the show that really gives the show a sense of urgency and sets an ominous tone. The artists are basically racing against time to create something by which they can be remembered, to leave their "traces" on the world.
Though the backdrop is sort of bleak it really serves to contrast the actual performances in the show which have an energetic, youthful, rebellious and often whimsical quality to them. Though the performers are young (all in their early 20s) they are extremely talented and multi-disciplinary. Their style is really fresh and hip, even compared to 7 doigts' first show.
The soundtrack is mostly progressive rock and hip hop with some old school jazz and classical piano (performed by the artists themselves since four of them are classically trained pianists as well). The choreography is contemporary and urban. The two standout acts in the show are ancient Chinese circus disciplines, Chinese Poles and Hoop Diving, but the presentation in Traces is so fresh and creative it's like watching these acts for the first time. I loved the Chinese poles number performed to a Radiohead song and the gorgeous and graceful Roue Cyr solo performed to a hip hop song.
The choreography is inventive and often stunning. There's an amazing group dance and manipulation number using a basketball and another sequence where the artists use skateboards to produce a whimsical old-school Hollywood musical number that would make Fred Astaire proud. The show also had moments of beauty, showcasing the depth and range of these young artists performance abilities. There are two gorgeous hand to hand numbers (one by a Will and a Héloïse the other by the Cruz brothers) and a stunning solo aerial strap number performed by Héloïse.
The 7 fingers' style is omni-present in the show but Traces also creates it's own signature style; it doesn't have the same distinctly sexual undertones that Loft did but really emphasizes youthful energy and it's absolutely exhilarating to watch. Every time I come out of a 7 doigts show I can't help but think how the sheer creativity, inventiveness and resourcefulness of this small troupe makes Cirque du Soleil look stale and old in comparison.
The show is still new (less than a year old) so it's still a little bit rough in some places but I loved it and wouldn't hesitate to recommend it.
The show is performed by five fresh, young graduates of École nationale de cirque; Héloïse Bourgeois, Brad Henderson, Will Underwood and brothers Francisco and Raphaël Cruz. These artists seem to have a limitless supply of energy; the performances are explosive, fast-paced and action-packed. The 90-minute show seems to zoom by in an instant.
Traces has a darker tone and a faster pace than Loft did. Whereas Loft had more existential overtones Traces is more Fatalistic. The theme is some sort of impending catastrophe and the set is a kind of make-shift fall-out shelter that the artists have constructed. There's a countdown/ticking clock motif throughout the show that really gives the show a sense of urgency and sets an ominous tone. The artists are basically racing against time to create something by which they can be remembered, to leave their "traces" on the world.
Though the backdrop is sort of bleak it really serves to contrast the actual performances in the show which have an energetic, youthful, rebellious and often whimsical quality to them. Though the performers are young (all in their early 20s) they are extremely talented and multi-disciplinary. Their style is really fresh and hip, even compared to 7 doigts' first show.
The soundtrack is mostly progressive rock and hip hop with some old school jazz and classical piano (performed by the artists themselves since four of them are classically trained pianists as well). The choreography is contemporary and urban. The two standout acts in the show are ancient Chinese circus disciplines, Chinese Poles and Hoop Diving, but the presentation in Traces is so fresh and creative it's like watching these acts for the first time. I loved the Chinese poles number performed to a Radiohead song and the gorgeous and graceful Roue Cyr solo performed to a hip hop song.
The choreography is inventive and often stunning. There's an amazing group dance and manipulation number using a basketball and another sequence where the artists use skateboards to produce a whimsical old-school Hollywood musical number that would make Fred Astaire proud. The show also had moments of beauty, showcasing the depth and range of these young artists performance abilities. There are two gorgeous hand to hand numbers (one by a Will and a Héloïse the other by the Cruz brothers) and a stunning solo aerial strap number performed by Héloïse.
The 7 fingers' style is omni-present in the show but Traces also creates it's own signature style; it doesn't have the same distinctly sexual undertones that Loft did but really emphasizes youthful energy and it's absolutely exhilarating to watch. Every time I come out of a 7 doigts show I can't help but think how the sheer creativity, inventiveness and resourcefulness of this small troupe makes Cirque du Soleil look stale and old in comparison.
The show is still new (less than a year old) so it's still a little bit rough in some places but I loved it and wouldn't hesitate to recommend it.
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